Last day in UK
Several friends & Aunt MK recommended that we try to see Kilmainham Gaol (pronounced "kill mane him jail") while in Dublin, so we spent the afternoon there. It's no suprise that visiting a jail is a sobering experience; what I didn't expect was for there to be such a hearty dose of hope in the mixture.
Killmainham Gaol, like so much in Europe, is hundreds of years old. It's also the home to several of the saddest and bloodiest executions in recent Irish history. We coincidently visited on the 90 year anniversary of the Easter Rising ("uprising" in American english) in which the execution of 15 Dublin prisoners marked the beginning of the end of English rule over Ireland. It was a sad, ultimately tragic, incident for the Irish, but they're proud of the efforts of their forefathers, nonetheless. This was by far the saddest part of the visit.

The hopeful, and unexpected part, was in the architecture of the Victorian wing of the jail. In that era, architects and prison reformers greatly believed in the healing benefits of sunlight. Light was thought to be a great reformer of spirit and soul, as well as a way to ward off common prison ailments. So, unlike earlier prisons which were arranged in dank and dark often underground corridors, the new jail was built around a central atrium, with soaring ceilings, skylights and windows in each cell. This, of course, also afforded the guards a much easier means of observing the inmates, as the doors to the cells were now openly displayed.
Ultimately, the experiment failed, as recitivism rates were extraordinarily high in Kilmainham Goal, although that most likely had much more to do with the Irish Potato Famine than prison architecture.
After exploring the jail, we rode the bus (public transportation is always one of my favorite ways to people-watch in a foreing country) back to our neighborhood. We rounded out the day with a bit of souvenier shopping and a wonderful exploration of the Apollo Art Gallery where we discovered that we were big fans of the Irish artist, Paul Kerr.


















